By MICHAEL PAULSON Jim Parsons plays God in this play, making comedic observations based on Mr. Javerbaum's God Twitter account. Reviews By BEN BRANTLEY Fiasco Theater's frolicking production makes a case for a little-loved comedy as a testament to the charms of vacillating youth. By CHARLES ISHERWOOD The Père Lachaise cemetery in Paris helped inspire Dael Orlandersmith's introspective work. By BEN BRANTLEY In Lemon Andersen's play about versifying behind bars, a convict can secure his status by being able to chant and riff in the form that gives the show its title. By CHARLES ISHERWOOD Domestic tensions at a birthday party dominate this play, Mr. Kinnear's debut as a writer. By LAURA COLLINS-HUGHES Five young New Yorkers are featured in Ping Chong + Company's new work of interview-based theater at LaGuardia Performing Arts Center in Long Island City, Queens. By ALEXIS SOLOSKI Jim Neu's musical about four characters who form a doo-wop group based on nonattachment. News and Features By ANITA GATES Sophisticated stagecraft and the contributions of artists with 21st-century sensibilities have worked their magic on some dangerous midcentury mores. By ROSLYN SULCAS In "The Painted Rocks at Revolver Creek," the acclaimed playwright brings Nukain Mabuza's life and art to a larger audience. | Special Section The complete list of nominations, videos, photos and more. Multimedia Tony Award-nominated actors on the moment they knew they were destined for the stage. Mr. Sarsgaard in a scene from a new production of "Hamlet," at Classic Stage through Sunday. | Recommended shows from Ben Brantley, Charles Isherwood and other theater critics for The New York Times. | A critical guide to productions in New York City, including shows in previews. Feedback Thanks for taking the time to read this email. Feel free to send feedback; I enjoy hearing your opinions and will do my best to respond.
Erik Piepenburg Senior Editor NYTimes.com/theater |
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