czwartek, 2 lipca 2015

Fwd: Theater Update: Shakespeare's Kings Through Irish Eyes

RESPEKT!


---------- Forwarded message ----------
From: NYTimes.com <nytdirect@nytimes.com>
Date: Wed, Jul 1, 2015 at 8:11 PM
Subject: Theater Update: Shakespeare's Kings Through Irish Eyes
To: pascal.alter@gmail.com


View in Browser | Add nytdirect@nytimes.com to your address book.

Wednesday, July 1, 2015

The New York Times

NYTimes.com/Theater »

The New York Times

Wednesday, July 1, 2015

Get all digital access to The Times for just 99¢.
News and Reviews
Aisling O'Sullivan, left, and Gavin Drea in DruidShakespeare.
Matthew Thompson
Druid Theater Company Makes Shakespeare's Histories Its Own
By ALEXIS SOLOSKI

The acclaimed Irish troupe condenses "Richard II," "Henry IV, Part 1," "Henry IV, Part 2" and "Henry V" into a seven-hour marathon performance.

Shows for Days  From left, Patti LuPone, as the head of a community theater; Lance Coadie Williams; Dale Soules; and Zoë Winters in this new play by Douglas Carter Beane at the Mitzi E. Newhouse Theater.
Sara Krulwich/The New York Times
Review: 'Shows for Days,' With Patti LuPone as a Diva With Depth
By BEN BRANTLEY

Douglas Carter Beane's new play, at Lincoln Center, draws on his memories of working at a community playhouse as a teenager.

Greg Keller and Alicia Silverstone in the play
Sara Krulwich/The New York Times
Review: In 'Of Good Stock,' Alicia Silverstone Is a Sister in Distress
By BEN BRANTLEY

This play from Melissa Ross centers on three sisters with romantic challenges and other issues.

ADVERTISEMENT
Brooke Adams in
Sara Krulwich/The New York Times
Review: In Beckett's 'Happy Days,' a Woman Buried Deep by Inertia
By LAURA COLLINS-HUGHES

Brooke Adams and Tony Shalhoub star in this production at the Flea Theater, directed by Andrei Belgrader.

SeaWife  Eloïse Eonnet in this musical at South Street Seaport Museum.
Hilary Swift/The New York Times
Review: 'SeaWife' Is a Doleful Fairy Tale About Whaling
By ALEXIS SOLOSKI

The folk musical, at the South Street Seaport Museum, is set in the 19th century and centers on Percy, the son of a whaler.

ArtsBeat
From left, Tyne Daly, Sierra Boggess and Lisa Howard in
Sara Krulwich/The New York Times
The Wedding Is Off: 'It Shoulda Been You' Will Close in August
By MICHAEL PAULSON

The show is the third musical production to announce its closing since the Tony Awards.

ArtsBeat
Helen Mirren and Richard McCabe in
Sara Krulwich/The New York Times
'The Audience' Finishes Broadway Run on a High Note
By MICHAEL PAULSON

In its final week on Broadway, the play, which starred Helen Mirren as Queen Elizabeth II, racked up $1,425,523.

Mia Katigbak, co-founder of the National Asian American Theater Company.
Sara Krulwich/The New York Times
She'll Play the Jewish Mother, and Wants Other Asian-Americans to Get the Best Parts, Too
By ALEXIS SOLOSKI

As the National Asian American Theater Company readies a revival of "Awake and Sing!," a founder talks about the casting barriers her troupe is trying to surmount.

Wild Women of Planet Wongo  Cast members in this sci-fi musical at Brooklyn Fire Proof, in Bushwick.
Hunter Canning
Review: 'Wild Women of Planet Wongo,' a Musical Comedy With a Sci-Fi Bent
By ANDY WEBSTER

In this play, two astronauts deal with Wongo Weed and big-haired natives after landing on a planet ruled by women.

ArtsBeat
Richard Rodgers, left, and Oscar Hammerstein II, in 1956.
Associated Press
Rodgers and Hammerstein Biography on the Way
By JOHN WILLIAMS

A biography of the musical writing team Rodgers and Hammerstein is scheduled to be published in 2018.

ADVERTISEMENT
Ian McKellen, left, and Derek Jacobi, on the balcony of their Midtown hotel, will be grand marshals at Sunday's Gay Pride March.
Mark Kauzlarich/The New York Times
By DAVE ITZKOFF
The British actors, grand marshals and first-timers at New York's parade on Sunday, reflect on the progress they've seen in their often parallel lives.
Jamie Sives, center, as the dockworker Marty Ferrara in
Manuel Harlan
By ROSLYN SULCAS
Miller wrote "The Hook," about a young dockworker who challenges corrupt union bosses, in 1950 and took it to Hollywood. But it was never produced.
Critics' Picks
Ada/Ava  Julia Miller, far left, as Ada, and Kara Davidson as Ava, at the 3LD Art & Technology Center.
Review: 'Ada/Ava,' a Conjuring of Loneliness and Comfort in Plain Sight
By BEN BRANTLEY
From left, Ryan Spahn, Catherine Combs (seated), Jennifer Kim and Michael Crane in
Review: 'Gloria,' at the Vineyard Theater, Looks at a Toxic Workplace
By BEN BRANTLEY
Connecting: Barbara Barrie and Gideon Glick in
Review: In 'Significant Other,' a Young Man Pines as His Pals Pair Off
By CHARLES ISHERWOOD
Preludes  stars Gabriel Ebert, center left, as Rach, and Joseph Keckler, right, as Chaliapin, the Russian opera singer, with Nikki M. James, far left, and Eisa Davis, at the Claire Tow Theater.
Review: In 'Preludes,' a Hypnotist Tries to Get Rachmaninoff to Make Music Again
By BEN BRANTLEY
FOLLOW THEATER Facebook FACEBOOK Twitter @nytimestheater
Get more NYTimes.com newsletters » | Get unlimited access to NYTimes.com and our NYTimes apps for just $0.99. Subscribe »

ABOUT THIS EMAIL

You received this message because you signed up for NYTimes.com's Theater Update newsletter.
As a member of the TRUSTe privacy program, we are committed to protecting your privacy.

Copyright 2015 The New York Times Company | 620 Eighth Avenue New York, NY 10018

Brak komentarzy: