środa, 11 listopada 2015

Fwd: Theater Update: The Strange, Secretive World of David Bowie's 'Lazarus'

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From: NYTimes.com <nytdirect@nytimes.com>
Date: Wed, Nov 11, 2015 at 6:01 PM
Subject: Theater Update: The Strange, Secretive World of David Bowie's 'Lazarus'
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Wednesday, November 11, 2015

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Wednesday, November 11, 2015

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From left, Michael C. Hall, Michael Esper, Cristin Milioti and Ivo van Hove.
Daniel Krieger for The New York Times
A Visit to the Strange, Secretive World of David Bowie's 'Lazarus'
By ALEXIS SOLOSKI
The Belgian director Ivo van Hove, Michael C. Hall and Cristin Milioti talk, and avoid talking, about this new musical.
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News and Reviews
From left, Cameron Scoggins, Daniel Oreskes and Kristine Nielsen in
Review: 'Hir' Sorts Through a Family in Transition
By CHARLES ISHERWOOD

A son comes home from war to a home in chaos in Taylor Mac's work at Playwrights Horizons.

Josh Segarra, center left, as Emilio, with Ana Villafañe as Gloria in
Review: 'On Your Feet!' Rides the Rhythm of the Estefans
By CHARLES ISHERWOOD

This musical about Emilio and Gloria Estefan tracks their career and marriage, including the accident that threatened her life.

George Takei as a Japanese-American who was interned during World War II, in
Review: 'Allegiance,' a Musical History Lesson About Interned Japanese-Americans
By CHARLES ISHERWOOD

This Broadway musical with George Takei and Lea Salonga sets out to illuminate a dark passage in American history.

John Benjamin Hickey, left, and Patrick Breen in
Equality, Then What? New Plays Explore Modern Gay Life
By ALEXIS SOLOSKI

Several works explore topics concerning domesticity rather than the fight for marriage and other rights.

­Mike Bartlett, at an office in London, where his play
Mike Bartlett Turns to Shakespeare to Voice His 'King Charles III'
By SARAH LYALL

Mr. Bartlett discusses the use of language to transform his protagonists from cardboard figures of ridicule into full-blown characters of tragedy and pathos.

ArtsBeat
Al Pacino in the play
Delayed Opening for Mamet's 'China Doll'
By MICHAEL PAULSON

The play began previews on Oct. 21; it had been scheduled to open Nov. 19, but instead will now open Dec. 4, and "new material is going in this week," the lead producer said.

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An Arthur Miller Centenary
Avi Hoffman and Suzanne Toren, who star in the New Yiddish Rep's production of
Ian Douglas for The New York Times
By LAURA COLLINS-HUGHES
The language has been an integral part of life for Mr. Hoffman and Ms. Toren, who star in a New Yiddish Rep production of the Arthur Miller play.
Penguin Classics
By ERIK PIEPENBURG
On the centennial of Mr. Miller's birth, a look at how designers are capturing the powerful spirit of his plays with simplicity and brawn.
More Reviews
David Ryan Smith in
Review: A 'Comedy of Errors' That Never Stands Still
By BEN BRANTLEY

The Mobile Shakespeare Unit's streamlined tale of two sets of separated twins comes to the Public Theater.

Members of a school choir meet their deaths and compete for redemption in
Review: 'Ride the Cyclone,' About Teenagers, and Angst, in Purgatory
By CHARLES ISHERWOOD

Members of a school choir meet their deaths on a roller coaster and must compete for redemption in this musical at the Chicago Shakespeare Theater.

Patrick Breen, left, and Stephen Plunkett are married (to other men) with children in Peter Parnell's
Review: 'Dada Woof Papa Hot,' About Gay Men and Parenthood
By CHARLES ISHERWOOD

In Peter Parnell's new play at Lincoln Center, gay couples with children learn about having (or not having) it all.

Lizzy DeClement and Josh Green in
Review: In 'Lost Girls,' Derailed Blue-Collar Lives, With Zingers
By BEN BRANTLEY

The playwright John Pollono is a deft practitioner of the sort of twist-in-the-tale narratives that are mostly associated with O. Henry and W. Somerset Maugham.

Critics' Picks
Jeffrey Omura, left, and Jeff Biehl in
Review: With 'Charles Francis Chan Jr.'s Exotic Oriental Murder Mystery,' Lloyd Suh Takes on a Legacy
By ALEXIS SOLOSKI

Front row, from left: Erin Dilly, Kate Baldwin and Bob Stillman in the country musical
Review: 'Songbird,' a Honky-Tonk Take on Chekhov
By CHARLES ISHERWOOD

Tim Pigott-Smith plays the Prince of Wales - who has a new title after his mother's death - in this play by Mike Bartlett that opened Sunday at the Music Box Theater.
Review: In 'King Charles III,' Glimpsing the Near Future of Monarchy
By BEN BRANTLEY

From left, Reed Birney, Cassie Beck, Jayne Houdyshell, Sarah Steele, Lauren Klein, and Arian Moayed in this comedy-drama by Stephen Karam, which opened on Sunday.
Review: 'The Humans,' a Family Thanksgiving for a Fearful Middle Class
By CHARLES ISHERWOOD

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