Fwd: Theater Update: To Dip, Kiss or Curtsy at the Curtain Call? Plus, a ‘Hamilton’ Star’s Story

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From: NYTimes.com <nytdirect@nytimes.com>
Date: Wed, May 18, 2016 at 9:55 PM
Subject: Theater Update: To Dip, Kiss or Curtsy at the Curtain Call? Plus, a 'Hamilton' Star's Story
To: pascal.alter@gmail.com

View in Browser | Add nytdirect@nytimes.com to your address book. Wednesday, May 18, 2016 NYTimes.com/Theater » Wednesday, May 18, 2016 Get all digital access to The Times for just 99¢. Gabriel Byrne takes a bow after performing in "Long Day's Journey Into Night." Caitlin Ochs for The New York Times The Curtain Call: Dip, Kiss or Curtsy? By JOANNE KAUFMAN Tony nominees talk about their preferred styles of bowing at curtain call and how they came to adopt them. The Tony Awards A 'Hamilton' Star's Story: How Leslie Odom Jr. Became Aaron Burr, Sir By MICHAEL PAULSON The actor who plays the show's antihero showed up ready when he was first asked to read for the role. In 'The Humans,' Jayne Houdyshell Embodies Mom By ALEXIS SOLOSKI The actress, nominated for a Tony for playing an office manager and mother from Scranton, Pa., knew from an early age that she wanted to be onstage. Going Solo to the Party By ERIK PIEPENBURG "Hamilton" broke a record with 16 Tony nominations, but seven other shows have had to make do with just one. Meet the nominees who still have a shot. News and Features 'Hamilton' Takes Steps to Limit the Resale of Its Tickets By MICHAEL PAULSON A ticket limit is being enforced — Ticketmaster canceled purchases over the cap. And those in the ticket line can no longer camp out with tents or chairs. Oprah Winfrey Dreams of a Broadway Debut (Just Don't Expect Her to Sing) By MICHAEL PAULSON Ms. Winfrey said she has been thinking about performing in a play for the last three years, but first she has to find the "perfect material." Ambassador Theater Group Announces Leadership Change By MICHAEL PAULSON The company, a leading owner of British and American theaters, said Mark Cornell would become chief executive, replacing its founders Howard Panter and Rosemary Squire. ADVERTISEMENT Reviews 'Indecent' Revisits a Play Colliding With Broadway Mores and More By CHARLES ISHERWOOD This powerful new drama by Paula Vogel sheds light on a time when history, Jewish culture and the depiction of lesbian love explosively intersected. 'Daphne's Dive,' Where Everybody Knows You're Broke By CHARLES ISHERWOOD Quiara Alegría Hudes's ensemble drama, which opened at the Signature Theater on Sunday, sympathizes with Philadelphia waifs and strays. Rupert Everett Brings Oscar Wilde to the Stage in 'The Judas Kiss' By BEN BRANTLEY David Hare's drama shows Wilde before and after his imprisonment for homosexuality, illustrating love as a force both sacred and profane. 'My Paris,' a Portrait of Toulouse-Lautrec in Song and Dance By CHARLES ISHERWOOD Bobby Steggert portrays the French painter's bohemian days and nights in the Montmartre section of Paris. ADVERTISEMENT Critics' Picks 'Dear Evan Hansen' Puts a Twist on Teenage Angst By CHARLES ISHERWOOD 'Shuffle Along' Returns to Broadway's Embrace By BEN BRANTLEY A Darwinian 'Streetcar' With a Feminist Streak By BEN BRANTLEY 'This Time,' a Woman Boldly Follows Her Heart in Search of Herself By NEIL GENZLINGER FOLLOW THEATER FACEBOOK @nytimestheater Get more NYTimes.com newsletters » | Get unlimited access to NYTimes.com and our NYTimes apps for just $0.99. Subscribe » ABOUT THIS EMAIL You received this message because you signed up for NYTimes.com's Theater Update newsletter.   | Privacy Policy | Contact | Advertise Copyright 2016 The New York Times Company | 620 Eighth Avenue New York, NY 10018